When you mention the Vietnam Veterans’ Memorial in Washington, D.C., most people think of the Wall. There was a lot of controversy concerning that memorial, so let me state that while I’m not showing it here, it is not because I dislike it. The Wall is powerful. But I’ve always been drawn to more literal depictions of things, rather than abstracts, so I wanted to take a moment to look at a second portion of the memorial – the statues of the three solders that stand near the etched roll of names.
On the way home this weekend, we made an impulsive stop at Antietam National Battlefield just outside Sharpsburg, Maryland. It was a whim, but we really couldn’t have picked a better time. Not only was there an artillery demonstration by a crew of re-enactors, but there was a textile display, and one of the central pieces was this quilt. It’s different from what I used to post about. The Pry Memory quilt was created when, following the battle, the Pry family moved to Tennessee. The signatures on the quilt blocks allowed the piece to be traced back to its origins.
I can’t find an exact source for the epitaph for Julia Crawford, but Christ is frequently characterized as the bridegroom and a Christian or the church as his bride.